第三期：抒情美學專題
Issue 3: Lyric Aesthetics

演講稿

悲劇與哀歌
Tragedy and Elegy

呂正惠
Cheng-Hui Lu

古典詩歌意義的構成方式
The Modes of Meaning Construction in Classical Chinese Poetry

蔡英俊
Ying-Chun Tsai

詩是智慧的燈
Poetry as the Lamp of Wisdom: Characteristics of the “Poetic Mind”詩性心靈 and the Evocation of “Poetic Meaning”

顏崑陽
Kun-Yang Yen

中和之美
The Aesthetics of Zhonghe中和

（中）龔鵬程
Peng-Cheng Kung

抒情美典的起源與質疑
The Origin of and Interrogations into the Lyrical Aesthetic

柯慶明
Ching-Ming Ko

特約稿

混融、交涉、衍變到別用、分流、佈體──「抒情文學史」的反思與「完境文學史」的構想

From Blending, Interfering, and Derivation toward Indifferentiation, Diversion, and Dispatch: Reflection on the History of Lyrical Literature and the Literature History as an Integral Whole

顏崑陽

Kun-Yang Yen

成體系的戲論：論高友工的抒情傳統

The Systematic Invalid Argument: On Kao Yu-Kung’s高友工 Lyrical Tradition

（中）龔鵬程

Peng-Cheng Kung

「哀」「弔」作為文學類型之美感特質

The Aesthetical Characteristics of Lament and Condolence as Literary Genres

柯慶明

Ching-Ming Ko

詩歌與歷史：論詩史的歷史成分及其敘述的轉向

On Poetry and History: Re-considering the Historical Aspect of the Concept of Shishi詩史 and Its Narrative Turn

蔡英俊

Ying-Chun Tsai

抒情傳統與中國現代文學──一篇隨筆

Lyrical Tradition and Modern Chinese Literature

呂正惠

Cheng-Hui Lu

附錄：抒情美學書目

呂正惠

蔡英俊

顏崑陽

龔鵬程

柯慶明

論文

臺灣當代詩的女性體液書寫

The Writing of Female Body Fluids in Contemporary Taiwanese Poetry

劉正忠

Cheng-Chung Liu

編後語

Afterword

李貞慧

Chen-Hui Lee